Posts Tagged ‘Philosophy’

Thoughts on A.I. – A journey through fictionalized philosophy

If A.I. is conceivable than it is arguably possible. Now if it was possible then we need to ask ourselves “Is it desirable?”. Let’s have a look at implications.

The movie Ex Machina successfully blurs the lines between man and machine.

NATHAN
I programmed her to be heterosexual. Just like you were programmed to be heterosexual.

CALEB
Nobody programmed me to be straight.

NATHAN
But you are attracted to her.

CALEB
This is childish.

NATHAN
No, this is adult. And by the way, you decided to be straight? Please. Of course you were programmed. By nature or nurture, or both.

– Ex Machina, The screenplay

Instead of asking how artificial intelligence resembles humans and their behavior why don’t we turn this question upside down and ask ourselves how we resemble artificial intelligence. As humans we are conditioned or “programmed” by our environment and experiences. So what is the difference between us and a machine?

In the sci-fi book “Do Andriods Dream of Electric Sheep?” by Philip K Dick we are introduced to the self destructive nature of man by the character Phil Resch and his increasingly lacking ability to emphasise. Resch has lost all empathy for androids as well as any living thing. He kills not because it is his job to do so but because he enjoys it. When Resch eventually finds out that he is not an android he is in fact surprised. The main character of the book, Rick, can come to no other conclusion except that Resch has lost a critical part of himself that made him human. This is a part of the reoccurring theme of depersonalization discussed in the book. 

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Ex Machina analysis

Ex Machina, Alex Garland’s directorial debut, is a truly thought provoking film with a fitting ambiguous ending which should leave your mind racing. Though the film’s premise is not original (considering Spielberg’s AI, Pinocchio, Blade Runner – the list goes on) there are characteristics which separates the script from others of it’s kind. The story is set in the middle of nowhere in the isolated state of the art home belonging to the AI-creator and tech-billionaire Nathan. Caleb, who starts off as the protagonist, has been brought there to serve as the human part of a kind of Turing Test. Ava is the AI which will be examined. Her ability to exhibit intelligent behavior equivalent to, or indistinguishable from, that of a human will be determined by Caleb, a coder at a Google-esque company called Bluebook created by Nathan. Ava is also the enigma at the heart of this film and the philosophical problems that it presents.

SPOILER ALERT

Various thought experiments are referred to in the film but also experienced first hand by the viewer. The question we ask ourselves is, can Ava,  (as in the thought experiment ‘Mary’s Room’ mentioned by Caleb in the movie) ever really know the world if she is only ever kept in the room Nathan prepared for her? For as she is kept in this prison she could be seen as stuck inside Plato’s cave where she can only see the shadows of reality dancing on the wall of the cave. She cannot experience them first hand.

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Red pill, blue pill

You take the blue pill, the story ends. You wake up in your bed and believe whatever you want to believe. You take the red pill, you stay in wonderland, and I show you how deep the rabbit hole goes.”

Existentialist Jean-Paul Sarte said “Man is condemned to be free; because once thrown into the world, he is responsible for everything he does.”

Sartre was of the belief that ours is a godless universe. Thus there are no absolute guide or understanding in life, neither is there a moral code for us to follow. Sartre meant that we are all radically free. Free to the point of feeling abandoned and forced to take full responsibility for everything that happens, even though we probably don’t really want to.

He also famously said “Existence precedes essence” meaning one first exists, then invents oneself through the choices we make.

The responsibilities that come attached with this freedom can be quite intimidating.

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